What you can get for Four pounds...
Sunday, 31 July 2011
What you can get for Four pounds...
Saturday, 30 July 2011






Thursday, 28 July 2011

Andy Warhol is a significant artist and influenced the decade of the 1960s. He realised and picked up on the boom time after the depression of 1930s America he was born into. The 1950s was the start of the consumer revolution. His work was a comment on the mass consumer culture going on around him. He became obsessed with the celebrity icon. The art he created was using images from supermarket brands such as: coco cola, Brillo and Campbells Soup cans. He also became incapturelated by the link between death and celebrity. He made a strong statement about the times he was living in.
He questioned the nature of art and its need to be original. The concept behind the idea was what mattered rather than the skill it took to make it. His art recycled others work and reproduced it. His work was brash, and irreverent and mass produced, just like the world around him.
His Brillo box focuses totally on the image, which jumps out.
“Warhol’s boxes have comic timing. The humour of the work is that Warhol has bothered to make an object at all- just as it may be humorous to think that we are buying things rather than refined images when we purchase commodities “.
“Despite (Brillo) being a three dimensional object, its functional as nothing more than a label. It is not a container of something else there is no Brillo pad inside it-but a sign complete in itself. “ (Kitnick, 2007, 100)
He used a technique that he would be forever associated with, silk-screen printing it was a way he could produce images many and quickly. These images were garish and brightly coloured just like the advertisements to sell to the consumers the goods they desired to make their lives better.
In his Marilyn prints the ink was layered over a black and white photograph taken by Gene Korman.
“The misprints and occasional clogging of the screen gave each face a slightly different expression. Making the point that although her face is reproduced endlessly Marilyn Monroe is not the plastic consumer good she appears to have become…” (Whiting, 1997, 176).
The Monroe image was reproduced to the point where it wasn’t clear where the movie icon ended and the real Monroe began. Warhol’s comment on at and consumer culture was making the point that everyone could produce art and anything could be art.
“..Warhol exaggerated the appearance and style of both the stars themselves and the mass-produced photographic images by which they were known. Warhol’s silk-screens are not therefore, about Taylor and Monroe as real people at all, but about their public image in its purist form.” (Whiting,1997 148).
A star’s true identity is therefore trapped beneath the public image. They became public spectacles. In the 1950s the press set out to uncover the person behind that movie icon image.
Warhol spearheaded the Pop Art movement in America. His art was a statement on the Capitalist consumer society that had exploded after the hardship of the Second World War and the end of rations in food and consumer goods that enveloped the early 1960s. He created work that reflected this and made art accessible to the masses rather that the high art bourgeois that it was before this.
“In February 1965, Life illustrated an article on Pop fashion, home appliance and advertising with a dress based on Warhol’s silk-screen prints of the Campbell’s soup cans” (Whiting. 1997, 179).


Thursday night viewing


Wednesday, 27 July 2011

The Navy Lark
Their only hope was to be rescued. In May 1940 they were rescued, but by some Germans Officers who captured the submarine and the crew. Prisoners for the rest of war. He was very lucky and survived.
have been told he spent all his money on drink. I am not surprised I think the war affected so many people.Tuesday, 26 July 2011
Here is something I wrote for an exhibition at The Cornerstone Gallery earlier in the year.
From a distance, the large pieces look alluring, their heights approximately 50cm on average for the vases with the bowls being around 15x 25cm, on closer inspection they show the progression in both style and colour. The journey begins with the more pastel shades of ‘Bowl with flower pattern’ (1986) coming right up to date with the geometric style and bold colours of ‘Dark purple and green bowl’ (2010). These pieces assault the senses with such gusto; the garish bright colours look like precious stones in a jewellery shop or a part of a priceless hoard of treasure. The shine attracts the viewer to them like a magpie and from a distance the surface glistens and looks smooth, but on approaching, the tones, shades and colours change, and also the bumps and imperfections are clearly visible making them all more desirable as pieces to be ‘lusted’ after.
Taylor is a lifelong self-taught ceramicist, who is “attracted to bright and changing light conditions in expansive skies, and moving-water-to light through foliage to patterns and juxtaposition of colour in the landscape to pattern of light and shade in rock faces or individual pebbles”. (www.hartgallery.co.uk/artists/taylor ).
In the middle of the ground floor gallery space is the staircase leading up to the next level, where the first part of the other exhibition collectively called ‘Quartered, Drawn and Hung’, (a macabre pun on the proper name for a death sentence to be ‘hung. quartered and drawn) is displayed. These, unlike the Sutton Taylor pieces, are works by different artists linked to the University. At the top of the first staircase is a collection of small white pottery pieces, and sketchbooks in glass cabinets. On the back wall, various artists have explored their perception through drawing using various media. Two of the art works aren’t conventional. The first, a cross-stitch sample, by Fiona Ward (2010) is framed by its own hoop with a piece of embroidered red writing communicating the message ‘the miserable have no other medicine. But only hope’. A quote taken from Shakespeare’s Measure for measure. “I studied this at A-level and it really stayed with me; there are a good many layers to it and always something new to think about it. The line used seems to fit well with the present way of the world. I chose the medium because I’ve always enjoyed textiles and used to do a lot of sewing and I am also interested in how the use of textiles has been seen through the history of art” (Fiona Ward).
The second work approach to drawing is one which challenges our perception and approach to drawing in a traditional format using media such as charcoal, pencil and line etc., and stood out among the other mainly traditional approaches to the subject of mark making.
Tony Smith’s painterly mixed media pieces are small, brightly coloured, and experimental.
“ I like something which is formally quite under-spoken and subtle like minimalist art, and in particular how minimalist painting is displayed via something bawdy and over the top like a banner. There exists a paradox or contrast between the work and the mode of presentation” (Tony Smith).
Another set of stairs led to the final level. For this part of the exhibition accessing the works was more limited; the balcony forces the viewer to follow the drawings around one way or the other and in a certain order rather than personal choice.
The Drawing exhibition makes the viewer question what drawing is, and the title suggests that the creators of these pieces have each ripped apart this traditional form of visual expression in their own way.
Monday, 25 July 2011
Vintage or New?
Saturday, 23 July 2011
Just lately I have come to realise that maybe you can't please all the people all of the time. I used to think I had to keep everyone happy and neglect myself. What people thought of me was more important than what I thought of myself (I am trying to get out of this way of thinking). This is in some part because of the way my mum has treated me: 'You will only get rejected in the end then what will you do?", "You can't go out dressed like that!!", "They told you at school you would amount to nothing". etc...etc...I have always tried to please her, but failed because I think that is an impossible dream. she even thought my grade B for my first year of my degree was "average', even though I don't even have a grade higher than a E for my GCSE's
I have never been one to be angry or bitter or hold grudges, not for long anyway! I am certainly willing to give people a second chance, but I am having second thoughts about this.
I asked one of my mates "What is it that I have done to make these people HATE me so much?". I have only know them a short while and they really have no reason to do so!
I know I probably do get on my real friends nerves sometimes and I am grateful they have stuck around for me. I HOPE I am there for them too! Even if it is just a shoulder to cry on or a nice coffee and cake!!
Friday, 22 July 2011
Thursday, 21 July 2011

Friday, 15 July 2011

The place you get a perfect butty...
Leafing through the pagesAs a child I loved it when my mum used to read to me in bed before I went to sleep. Some of my favourite reading material was; Stig of the dump, Fantastic Mr Fox and The worst witch. Since a child I have collected and loved reading books. I borrowed all the books in the local library about the Beatles. Bognor was actually quite well stocked with books on the subject.

Thursday, 14 July 2011
I was having a look in my display cabinet..
Tuesday, 12 July 2011

Well I thought about starting up the blog again after my friend Rosie started her sixties blog. I love reading about her love for the 1960s and the Beatles. I am also a HUGE sixties and Beatles fan. My main love is collecting and wearing vintage (or as they used to be called second hand) clothes. My collection has somewhat some might say become obsessive. There is probably one big...yes BIG reason for this.
One Of My Favourite Places!

With a little help from my friends
Monday, 11 July 2011

Liverpool V Bognor Regis (North V South)
on a Ferry Cross the Mersey, I remember the moment I told my mum (on the Ferry). "I am going to live here one day". her reply was "No you won't".